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The Artisans
The Artisans
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Canadian writer Madeleine Thien reflects on a ­fragment of a mural depicting three Uyghur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uyghur ­Autonomous Region of China. This most renowned donor portrait of Uyghur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (1904–1905). Thien responds to its vibrant colors and expressive lines with a fictional text, transporting us into the daily lives of the p…
  • Leidėjas:
  • Metai: 2025
  • Puslapiai: 48
  • ISBN-10: 3035807949
  • ISBN-13: 9783035807943
  • Formatas: 16.1 x 21.9 x 0.8 cm, minkšti viršeliai
  • Kalba: Anglų

The Artisans (el. knyga) (skaityta knyga) | Madeleine Thien | knygos.lt

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Canadian writer Madeleine Thien reflects on a ­fragment of a mural depicting three Uyghur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uyghur ­Autonomous Region of China. This most renowned donor portrait of Uyghur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (1904–1905). Thien responds to its vibrant colors and expressive lines with a fictional text, transporting us into the daily lives of the painters who adorned the caves with strikingly lifelike murals in the tenth century. She asks: Is there an autonomous republic of art that transcends time and place?

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  • Autorius: Madeleine Thien
  • Leidėjas:
  • Metai: 2025
  • Puslapiai: 48
  • ISBN-10: 3035807949
  • ISBN-13: 9783035807943
  • Formatas: 16.1 x 21.9 x 0.8 cm, minkšti viršeliai
  • Kalba: Anglų

Canadian writer Madeleine Thien reflects on a ­fragment of a mural depicting three Uyghur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uyghur ­Autonomous Region of China. This most renowned donor portrait of Uyghur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (1904–1905). Thien responds to its vibrant colors and expressive lines with a fictional text, transporting us into the daily lives of the painters who adorned the caves with strikingly lifelike murals in the tenth century. She asks: Is there an autonomous republic of art that transcends time and place?

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